Samuele Atzori

Samuele Atzori

Art is channelling one’s emotional experiences into real objects, giving them the power to convey essential and timeless messages.

What drives you to create?

The mannequin has always fascinated me, ever since I was very young.
At first, I wasn’t aware of the reason for this attraction, but it later emerged alongside the vision of my first work: complete, ready, only needing to be realised in the real world.
From that moment, while creating, revelations about my past flowed like a raging river, in a weave of lucid concepts and unconscious impulses that revealed themselves in their truth.
My unconscious was speaking to me. That’s when I understood the significance of the mannequin: what better real symbol to communicate to myself — and to others — my desire for control over my life and for liberation from unchosen situations?
Mannequins, perfectly representing our symbolic external reality, revealed to me that beyond the material aspect, there exists a deeper, metaphysical dimension.
And it is precisely through them, along an evolutionary path of writing, reading, meditation, and creation, that over the past fifteen years I have finally been able to spread my wings and rediscover a broader awareness.
This has allowed me to reflect fully on my introverted personality, transforming it into a key feature to resonate through my artworks and cultural activities, with the intent of awakening consciousness on a subject both delicate and little explored.

What inspires you?

My spark comes from the need to express what I observe and have observed in the world without fully living it.
“Art is the expression of a wild spirit in a domestic world.”

How do you bring your works to life?

On some occasions, my works appear complete in my mind; on others, they take shape during the process.
The drawing mannequin is the eternal protagonist of my works, my obsession.
I use wood, plaster, and resin.
I love being immersed in the scent of the materials, feeling so connected to the creative moment that I sense them throughout my body.
I adore symmetry and am fixated on certain numbers, which then emerge in my works.

I compose my works at home, preferably in solitude, often listening to relaxing music, to retreat from the outside world, letting my creativity flow with greater ease.
The rituals that characterise my way of living are varied, though harmless, and are not limited to the world of art.
I have a passion for walking and cover many kilometres, as I always have, often for long stretches over several months.
I frequently wander along the walls of Lucca, accompanied by the books I cherish.

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